Mozart’s String Quintets

Mozart’s quintets are for a quartet texture with an extra viola (not piano); the first one is scored for a “basso” as the lowest instrument, although in this performance by Spunicunifait, the instrumentarium stays the same throughout with cello.

The musicians on this recording came together to celebrate these six works specifically. The recording is excellent, as is its sound; when the ensemble plays at full volume, their string tone is rich and beautiful, using historical instruments. At piano, you can still hear the resonance of the cello when playing pizzicato.

I followed two of these quintets using scores and found their adherence to Mozart’s dynamics well done. These pieces showcase Mozart’s style and genius well, as far as collections go. Not to be missed either is the composer’s sense of humor. The first violin dominates throughout, and the playing by Lorenza Borrani is excellent.

My favorite perhaps is no. 2 in C minor, which was originally written for winds. Either way, the texture translates perfectly. The outer movements of number one are also strikingly fun. No. 4 in G minor is a far more serious affair, one movement using mutes throughout. But then Mozart’s humor comes out in the major-keyed finale.

This recording was a real delight. Much is to be gained by getting to know these works, and I honestly can’t imagine more sensitive and confident performances. Kudos for how well their sound is captured—perfect for quartet/quintet performances.