Bachcast 62: English Suite #6 BWV 811
John listens to recordings of Bach's sixth English Suite for 2 hands
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John listens to recordings of Bach's sixth English Suite for 2 hands
BWV 1020 may not be by Bach; but it's a strong sonata that has been played by different instruments, most notably flute or violin
We listen to several versions of the Sinfonia, and two recordings of the cantata.
My first discovery of the world of baroque music is tied to this very concerto. I survey a number of excellent recordings.
John explores favorite renditions from the first suite for solo cello, including from Yo-Yo Ma's new recording on Sony Classical
BWV 538 is one of the "big" toccata and fugue pairs by J.S. Bach
Bach's third partita contains some amazing music which despite being grounded in dance forms, elicit today a variety of interpretations.
This is a ripe example of Bach's ability to craft something quite interesting from a small germ of an idea. We listen to performances on keyboard and on strings.
Different performances highlight some of the nuances left behind in Bach's writing; choices in tempo, phrasing, strong/weak notes, and more.
In the end, despite the revision by Bach, John prefers the earlier version for two violins
In this episode, I explore the desire to realize this piece using an instrument that both has good attack but also sustaining power. It feels like an excellent candidate for the piano.
In this episode we find thematic links between movements in Bach's final suites for keyboard in his opus 1.
John examines elements of interpretation across different recordings.
Comparing performances between two cantatas Bach used for the celebration of men in secular settings
Today it's believed that the trio sonata BWV 1037 was in fact written by J.G. Goldberg. But how do we reconcile the high mark of quality?
We look at several readings, focusing on those beyond a single keyboard
John examines 6 versions of the sonata, BWV 1029, choosing favorites
We compare a variety of solutions to performance challenges in Bach's first French suite among five albums, two using piano, three using harpsichord
John compares two recordings that highlight Bach's profound inventive approach toward a familiar Lutheran chorale with modern touches.
Bach's third orchestral suite contains his famous air.
Comparison of recordings of Bach's second solo violin partita
Bach is up to a theme with variations game
3 performances, 3 instruments
Discussion of Bach's WTC project and comparisons of performances
What was the style of solo violin music around the time of Bach?
We also look at several arrangements that are musically satisfying
The arrangements stand out for me as especially compelling
Understanding this work is different because of the existence of multiple movements
John really likes the unique interpretation by F. Gulda
We look at performances of the organ concerto, BWV 593
We listen to multiple versions of this sonata and what performers do to exploit Bach's compositional ideas
BWV 1044 - matching tempo to the acoustic space to maximize enjoyment
We look at several versions of BWV 1017 for violin and keyboard
Find out more about this episode on biberfan.org
We continue our survey of Bach's sonatas for Violin and Keyboard
For show notes, visit biberfan.org
I compare recordings by Laredo and Gould with Montanari and Rousset
Check out the shownotes at biberfan.org
We look at solutions towards interpretation in Bach's concerto for keyboard. Show notes and more at biberfan.org