JS Bach: Die Kunst der Fuge, BWV 1080 • Kimiko Ishizaka
It is easy to marginalize Bach’s last work, his “Art” of the “Fuga” as an esoteric, mind-bending intellectual pursuit: the ultimate expression of one man’s obsessive reliance upon counterpoint.
It is easy to marginalize Bach’s last work, his “Art” of the “Fuga” as an esoteric, mind-bending intellectual pursuit: the ultimate expression of one man’s obsessive reliance upon counterpoint.
I was late to the party, but I’d already realized that the opening to the Netflix show A Chef’s Table featured Vivaldi, but it had been edited.
The Korean pianist known as “Ji,” whose full name of Ji-Yong Kim, has recorded Bach’s Goldberg Variations, BWV 988, on his debut album for Warner Classics.
In my efforts to better apprciate some pieces of music, and those specifically by J.S. Bach, I like to hear arrangements. One of the famous ones is by Busoni, a pianist, of his violin Chaconne from Partita no.
Stuart Duncan is out this round, but the musicians otherwise have already collaborated to a great degree with remarkable results in the Goat Rodeo Sessions.
Most recently a concert was advertised in town for Philip Glass’s 80th birthday. I couldn’t get tickets, as it was sold out. Not everyone likes Glass—but who cares? Not everyone likes Bach, or Mozart, or Vivaldi.
A couple years ago, I'd selected a recording by the Modern String Quartet of Bach's Well-Tempered Clavier for string quartet, and really liked the interpretation.
I was in high school when the first of Nigel Kennedy’s Vivaldi: Four Seasons recordings came out, recorded on EMI with the English Chamber Orchestra.
After her Goldberg recording, Ms. Ishizaka has now released the first book to Bach’s Wohltempierte Clavier, BWV 846-869.
Mahan Esfahani has joined forces with DG Archiv ensemble Concerto Köln for a release entitled Time Present and Time Past.
Bach's Die Kunst der Fuga is a true favorite piece of music of mine (BWV 1080). Organized as a series of fugues and canons labeled contrapuncti, the piece starts simply enough with a D-minor keyed theme and fugue, then…
On the heels of another review of a Bach arrangement, I have another, using a family of saxophones to reveal Bach's contrapuntal art with Die Kunst der Fuge, BWV 1080.
I was not currently looking for another reading of Bach's "24" or "48." With harpsichord and piano versions already well established by mainstream artists and niche classics alike in my collection, it would have to be…
The Ensemble Contraste has recorded a number of transcriptions of J.S. Bach for violin (Arnaud Thorette), viola (Maria Mosconi), cello (Antoine Pierlot), and piano (Johan Farjot and Karol Beffa).
Andras Schiff has been in the "news" of late, after a series of successful concerts and awards. I have not listened to his Beethoven, but am quite interested in his interpretations of Bach.
I have a profoundly narrow scope of music I listen to, although over the past 5-8 years I have been consciously trying to expand that.
Chris Thile has been playing the mandolin for a big portion of his life; it's really fair to say he's a virtuoso on the instrument, and he came to my conscience through his recording with Yo-Yo Ma of the Goat Rodeo…