Basso Ostinato • Pieter-Jan Belder
On this disc I have assembled a collection of ostinato pieces, not necessarily chaconnes or passacailles, but all kinds of pieces that feature a certain obsessive repetition, usually on a harmonic basis.
On this disc I have assembled a collection of ostinato pieces, not necessarily chaconnes or passacailles, but all kinds of pieces that feature a certain obsessive repetition, usually on a harmonic basis.
I’m always on the look-out for new musicians. Noally fit the bill, and his 2013 recording, made within a very live acoustic, features works for solo violin from Vilsmayr, Telemann, von Westhoff, Baltzar, Bach, and Biber.
The diversity of composers represented on this disc, in addition to their stylistic backgrounds (the Finger piece vs.
For this recording, I wanted to share the joy of exploring the different faces of Handel, covering a period from approximately 1700-1740, without paying particular attention to chronology.
Artists: some strive to be different. We typically get recordings of, say, Bach violin concertos, but this program is more about the performer and his versatility. Dmitry Sinkovsky is director, violinist, and vocalist.
Georg Philipp Telemann, who lived contemporaneously with Bach and Handel, represents a great example of “the successful” composer from the Baroque era.
Antonio Caldara: Trio Sonatas. (2015, June). Amandine Beyer, Leila Schayegh (violins), Jonathan Pesek (cello), Jörg-Andreas Bötticher, (keyboards), Matthias Spaeter (lute). Glossa. 72:48.
I once remembered reading that Johann Sebastian Bach had "invented the piano concerto." That statement was a strange one, but it was with Bach (and also Handel) that we first saw keyboard instruments moving from the…
Back in my school days, after discovering Bach and Vivaldi (the harpsichord concertos, L’Estro Armonico), my interest eventually led me to the Four Seasons.
Anton Steck has released a number of CDs with Christian Rieger featuring violin sonatas for CPO with snail shells on the covers.
Boismortier, né Joseph Bodin, became a composer of drinking songs and worked professionally as a tax collector. But after 1720, he became increasingly interested in writing music.
The cover of this new release is a little misleading. It reproduces a historical painting of a woman bringing two drinks on a tray, water in one, presumably tea or coffee in the other.
L'Arte dell'Arco offers 20 CDs of Vivaldi's published works
There is a story to be told, and it has been told to be sure, about Bach's genesis of the "harpsichord concerto." It's significant because it tells the genesis of the piano concerto.
IGA is undertaking a major project around Haydn’s symphonies but is also finding the time to explore Baroque works.
We know Mozart liked Bach’s music, especially this fugues and ability with counterpoint. The opening of this recording is a peresentation of 5 Bach fugues arranged by Mozart and performed by string quartet.
I paid over $30 for a single CD of Bach’s first solo violin sonata (BWV 1001), his second partita (BWV 1004), and the third partita (BWV 1006). I didn’t hesitate.
I am glad I had the opportunity to audition De occulta philosophia first, what I might call a “companion” or “sister” album to this one.
I am not sure where I first encountered mention of this album which was first released in the late 1990s. The reissue has an updated cover, featuring a mess of audio/computer cords that I found interesting (there's a…
This is a review of the two volumes of Corelli sonatas by Enrico Onofri with Imaginarium Ensemble, emphasizing the new, second volume, but I also compare their playing with a few others in my collection to provide a…
J.J. Cassanéa de Mondonville (c. 1711-1772) The premise presented here suggests that France never really “owned” the violin, at least to the virtuosic, high-art ways that Italian composers/performers first did, and in a…
Anna Prohaska and Il Giardino Armonico partner to bring a collection of opera arias in an Alpha album entitled Serpent and Fire, (p) 2016.
It was with special glee that I discovered the “last” recording by Musica Antiqua Köln, seemingly not long ago, left over as a “lost” recording that the ensemble’s director, Reinhard Goebel, saw fit to get pressed from…
On the Alpha label, ensemble Nevermind has released a recording of works by Jean-Baptiste Quentin and Louis-Gabriel Guillemain entitled Conversations, featuring Anna Besson on flute, Louis Creac’h on violin, Robin Pharo…
I came to Bach’s Goldberg Variations somewhat early in my listening career (which, admittedly is strange to call a career, but I assume you get what I am saying, that period in my life beginning at some point while I…
There was something that turned me off to this release when it came out, which I now realize, had nothing to do with the actual performance contained within.
It is a different album in which a violinist appears on the cover (seems appropriate), but wherein a collection of works by Francesco Maria Veracini are featured, some as arrangements.
L’Arte dell’Arco link to iTunes releases by this ensemble under Federico Guglielmo has released on the Brilliant Classics label two complete collections by Vivaldi - the Cello Concertos with Francesco Galligioni and the…
Ensemble Diderot, led by Johannes Pramsohler on violin, presents a number of chamber pieces by Handel, Fux, Fasch, Tuma, and Telemann with ties to Dresden and the violinist-composer Pisendel.
Pramsohler recorded this album with Philippe Grsvard in 2013 on the Audax label, his own, providing for us a “mid-late Baroque” violin recital. As mentioned earlier on this site, Mr.
This is, hands down, my favorite album of 2015. I didn’t expect it. I didn’t see it coming. Matthias Mauté and Co. impressed me before, but not to this level. This is a modern concept album.
Johannes Pramsohler and Philippe Grisvard team up with violin and harpsichord with a baroque recital featuring an interesting mixture of late baroque gems, with works supposedly by Bach, but also Krebs, Pisendel, and…
My first introduction to Telemann’s “wind concertos” was a recording released on DG Archiv by Musica Antiqua, Köln of Blasermusik.
This is the premier solo recording for Aya Hamada, and one that features pièces by the French composer Jacques Duphly.
Looking towards the early baroque, I wanted to visit a composer that often is sampled from in recordings, one who well-represents the early baroque solo sonata for one or two instruments.
Fabio Biondi (violin) and Europa Galante release a recording of Vivaldi “farewell” concertos, drawn from a collection late in the composer’s life, intended for an audience in Vienna on the Glossa label (GCD 923402).
Mahan Esfahani has joined forces with DG Archiv ensemble Concerto Köln for a release entitled Time Present and Time Past.
Released on the Çedille label this year, the Trio Settecento has recorded the complete opus 2 collection by Francesco Maria Veracini, which I purchased through the iTunes Store. It normally would span 3 CDs.
Venice Baroque, directed by Andrea Marcon, backs Philippe Jaroussky in arias written for the baroque castrato, Farinelli.
Maurice Steger records recorder pieces from the mid-Baroque from Naples, during a short period when the instrument there became popular enough to see the composition for it, from a number of composers.