Imagine – Pieces by Bach • Jean Rondeau
I first encountered Rondeau through YouTube. He was playing as part of a small trio ensemble, and I looked for more. The music was good; but who was this guy, with that hair?
I first encountered Rondeau through YouTube. He was playing as part of a small trio ensemble, and I looked for more. The music was good; but who was this guy, with that hair?
To my mind, when I hear the name “Couperin” I often immediately think of the harpsichord. Both François and Louis Couperin both are well-known for their harpsichord pieces.
Recently, I have noticed there are a number of new harpsichordists on the scene. It speaks to the interest young musicians have for the instrument, the music written for the instrument, not to mention the…
A continuation of an earlier release by the same ensemble, combines two sonatas by Pisendel with those of his friends, including Antonio Vivaldi.
Ensemble Aurora led by violinist Enrico Gatti performs violin sonatas by Arcangelo Corelli. This album features 12 so-called "Assisi" sonatas for violin and basso continuo and a bonus of 4 additional sonatas, Corelli…
Versatile violinist Shunske Sato records Telemann in a solo recital. Sato came to my attention through a video of him performing with Richard Egarr of the AAM.
When I was at the Lufthansa Baroque Festival several years ago in May, I heard a version of Ensemble Marsyas perform at St. John’s Smith Square.
Michael Sneider and his colleagues from both La Stagione Frankfurt and Camerata Köln released in 2012 on CPO their final installment of concertos by Telemann featuring wind instruments.
I recently purchased the recordings of L'Arpeggiata on Alpha in a box set, and included is a CD of music by Kapsberger (known best, perhaps, as a lutenist).
Gunar Letzbor with Ars Antiqua Austria (2013—Arcana) I'll start by writing that I was not a fan of this ensemble's earlier recording of Giovanni Antonio Pandolfi Mealli's opus 4 sonatas on the same label.
Ars Antiqua Austria have recorded Johann Joseph Fux's Partite for strings. Letzbor and friends record J. J. Fux Likely the best comparison of this music, at least in terms of the titles, are Pachelbel's partite.
The discography for Tomaso Albinoni is firmly centered around his concertos for oboe, from which the "Adagio" is likely his most famous work today.
My only exposure to Handel's solo harpsichord music was through a 1980s CD by Trevor Pinnock and a later recording on piano by Keith Jarrett.
Nicola Porpora is likely best known not for his chamber music, but his role as a teacher and opera composer in 18th century Italy.
It's been some time since I've had "the time" to write any reviews, let alone anything on this site. Today was my graduation ceremony, and while that means I hopefully gain some time to myself to write here, it also…
Bach Collegium Japan records volume 54 of their Bach Cantata Series for BIS. BWV 197 This is a wedding cantata, which as we might gather from the character of the music, was for a significant pair of patrons.
I spied this new recording several weeks ago, but waited patiently for it to perhaps arrive as a Christmas gift. I wasn't disappointed.
Corelli, it seems, has been considered a "gold standard" among composers, at least historically speaking. His stature, combined with his publication of six collections of instrumental pieces, helped establish him as a…
I was a fan of Café Zimmermann's traversal of Bach concertos on the Alpha label. Their latest release is of Vivaldi concertos from the second book of L'Estro Armonico with two bonuses: RV 414 in G Major for cello and RV…
Recorded in 1993 at St. Jude's on the Hill, this was among the first of Collegium Musicum 90's recordings on Chandos Chaconne. The band is made up of Standage's pals from other London-based ensembles.
Back from his Opus 111 days, Fabio Biondi recorded five sonatas by G. Tartini. I just recently acquired the recording, featuring three sonatas from his opus 1, one from his opus 2, plus a sonata in B-flat known as…
The Imaginarium Ensemble performs late baroque works for violin and basso continuo by Tartini, Veracini, Mossi, and Bonporti.
"The Secrets of [the] Baroque Violin" sounds like an interesting title for a recording (or book). It conjures memories of movies like The Red Violin, where, perhaps, we finally learn of what more scandalous things a…
Several ensembles have presented to us variations on a Spanish-origin tune, Follias. By the late baroque, this was pretty much codified around a harmonic progression, not unlike, perhaps, the one use to frame Pachebel's…
Rinaldo Alessandrini's ensemble Concerto Italiano has been known for both its instrumental incarnation as well for its vocal one.
Veracini was a Florentine who seemed to get around Europe (including the United Kingdom) an account of his violin playing capabilities; he died in Florence, however, in a less extrovert role, performing church music.
Singer Macro Beasley has released an album with Accordone of music from Naples. I spied it recently while in a FNAC in Lyon, France.
Peter Holman wrote in a 1999 review of Biber's Mystery Sonatas by Letzbor that he, along with Eduard Melkus, and John Holloway had begun an unfortunate habit of performing Biber's sonatas with a rather 18th-century…
I know F. Cera from his work with Il Giardino Armonico. I had the opportunity to find this CD for sale when I was in France earlier this year. It opens with perhaps my favorite of the Bach hapsichord concertos, BWV 1052.
The worst thing about this album is the cover; Rousset looks unnecessarily dark and agèd, if not posed in a slightly menacing way, almost to scare us from opening the CD.
I'd been teased several years ago by an announcement on Mr. Onofri's website of a new album entitled Con Amore, and while it was available in Japan, it was hard to find here in the U.S.
As a fan of baroque performance practice, I have some favorite ensembles, and among them has been the Ensemble Matheus, directed by Jean-Christoph Spinosi.
You can think of Vivaldi's output around his published opuses, op.1-12, not to mention the knock-offs in op. 13.
Christina Pluhar and L'Arpeggiata release Mediterraneo, a collection of pieces that feature the ensemble's strengths in color, plucked instrumentation, and growing interest in world vocal styles.
As you might imagine, I have a favorite list of musicians, of "baroque" musicians, and this list has been cultivated over many years.
I've collected just a few of Philippe Jaroussky's recordings. Probably among the countertenors, he's a favorite. I've found his collaborations with Christina Pluhar among my favorites.
The latest release from the Vivaldi Project is volume 5 of the solo violin concertos, a collection for Pisendel, the Dresden-based violinist.
This release from the mid-1990s is a real gem, featuring Petra Mullejans in the driver's seat of a reduced-size of the Freiburg Baroque Orchestra. I first reviewed it in 2005.
For another view of this recording, fresh when it was released in 2001-2002, check out this page at the Bach Cantatas site.
The cover of this recording reminds me of the earlier Podger release on the same Channel Classics label of La Stravaganza. My first double CD set of Vivaldi's op.