Lassus: The Alchemist, Volume 3 • Magnificat & The City Musick
Orlande de Lassus (c. 1532–1594) was arguably the most versatile composer of the late Renaissance, and the one who most fully embodies the Franco-Flemish tradition at its culmination.
Orlande de Lassus (c. 1532–1594) was arguably the most versatile composer of the late Renaissance, and the one who most fully embodies the Franco-Flemish tradition at its culmination.
Giovanni Pierluigi da Palestrina's fourth book of motets (1584) sets poetry from the Old Testament as five-voice works, SSATB, SATTB, and SAATB.
Volume 1 of this set appeared in 2023, played by Boothby. I did not review that edition, but I did this past March audition the release of this music by Paolo Pandolfo on Glossa.
This is the third and final installment of I Fagiolini's series of Orazio Benevoli's mid-17th-century multi-choir masses, directed by Robert Hollingworth.
There’s a knee-jerk reaction to the title of this album. Of course William Byrd and John Bull never knew or experienced a concert grand.
In this album from lutenist Rolf Lislevand comes a recital of pieces from the early 17th century, picked from the first published editions of the composers assembled: Kapsberger, Foscarini, Ortiz.
Many of the solo sonatas written for an instrument with continuo, starting some fifteen years into the seventeenth century, were intended for “sopranos,” which might include the violin or the cornetto, as the two…
Some weeks ago I took in an online webinar from the Clavecin Society in San Francisco which featured a conversation with Skip Sempé.
This generous recital (79 minutes) from Jean Rondeau was released in the spring of 2021 on Erato. The collection explores the meaning of melancholy, one of those terms I remember learning in the tenth grade as part of…