Mar 29, 2026
- Label
- Passacaille
- Catalog no
- PAS 1080
- Released
- 2020
- Length
- 1:15:07
Props to Passacaille for giving us a memorable and interesting album cover.
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Mar 29, 2026
Props to Passacaille for giving us a memorable and interesting album cover.
Read the review →
Mar 29, 2026
A friend just recently attended a performance featuring Concerto Köln, led by Shunske Sato.
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Mar 28, 2026
Handel completed Messiah in an astonishing 24 days in August and September of 1741, and the work received its premiere not in London but in…
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Mar 22, 2026
Raphaël Pichon's recordings of late with his Ensemble Pygmalion have turned out, to my ears, to be extremely engaging performances.
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Mar 22, 2026
François Couperin "Le Grand" (d. 1733) wrote prolifically for keyboard — unsurprisingly, given his career as both organist and…
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Mar 21, 2026
Scott Ross was born in Pittsburgh (1951) and early on studied piano and organ. His father died early in his youth, followed by a move with his mother and siblings to France, where he began to live "on his own" at the age of 13.
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Mar 16, 2026
This new album featuring a copy of a Silbermann piano, including two works for piano and flute, takes its title from a sentiment embraced by Bach’s son: Empfindsamkeit. Anne Thivierge contributes as the flautist and the piano is commanded by Arnaud de Pasquale.
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Mar 14, 2026
No, Bach didn’t return from the dead last year to provide us with new music, but the Bach Archiv in Leipzig did authenticate two keyboard…
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Mar 14, 2026
In this album, Rachel Podger re-joins Florilegium to record concertos and the dramatic cantata Ino with director Ashley Solomon.
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Mar 8, 2026
This album presents music by Alfonso Ferrabosco the Younger, sponsored by, and performed on an instrument commissioned by the Schola Cantorum Basiliensis – Hochschule für Musik Basel.
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Mar 8, 2026
This new release from Da Vinci Classics explores a little-known corner of Renaissance keyboard repertoire, drawing from the manuscript collection of the Collegiate Church of Castell’Arquato in Emilia—a provincial archive that nevertheless preserves a vivid…
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Mar 3, 2026
This album, save for a few instrumental numbers, celebrates through a solo voice the role the Virgin Mary has in our lives. The composers represented include Monteverdi, Sances, Purcell, Goussot, Kempis, Mazzocchi, and Merula. I am familiar with Ms.
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Mar 1, 2026
This music was published in modern times (1956) as part of the Denkmäler der Tonkunst in Österreich, a red-bound series I encountered in…
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Mar 1, 2026
As the notes for the new album, Visions du Diable, communicate, this album is viewed as a second installment, if you will, from the…
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Feb 28, 2026
Keeping track of all of Bach’s relatives can be difficult, given that some of them shared names.
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Feb 25, 2026
The trio sonatas presented here with two violins and continuo form a thoughtfully curated program centered on Corelli and his influence…
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Feb 23, 2026
The music on offer here is from the Graun brothers, Johann Gottlieb and Carl Heinrich. The first was a violinist and the second was a celebrated opera composer. They both trained in Dresden. J.G.
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Feb 22, 2026
Ensemble Théodora’s debut album features German music written in the French style, or so that’s the idea, but the composers represented (with one work attributed to no one) includes pieces by Lully and Campra.
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Feb 21, 2026
The curiously named album (props for the creativity) features, as we might imagine, Handel’s orchestral suites known as the Royal Fireworks…
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Feb 19, 2026
N.B. I first published this review in 2013; I am revisiting it now in 2026 and have modified this review, assigning it a rating for the…
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Feb 18, 2026
This album features two concertos written by Mozart in 1776-1777, performed upon a Tangentenflügel, a unique instrument not often heard…
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Feb 17, 2026
This recording (July 2025), just over an hour long, would make an excellent concert program: Bach’s well-known violin concertos alongside…
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Feb 16, 2026
In the most recent review I did of Bach’s three works performed on two smaller cellos, one four-stringed and one five-stringed, I was a bit…
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Feb 15, 2026
The starting point for this album comes from an interesting source: the transcriptions by Gustav Leonhardt of Bach’s violin works for…
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Feb 14, 2026
The sonatas known today (in English) as the Rosary or Mystery Sonatas by Heinrich Biber are extraordinary for multiple reasons.
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Feb 9, 2026
A reduced ensemble from Apollo’s Fire recently stopped in Richmond, Virginia—my hometown—on a multi-city tour. The Sunday afternoon concert took place at Virginia Commonwealth University’s Singleton Center for the Arts.
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Feb 7, 2026
I noticed this album weeks ago online, offered with images of a vinyl pressing. The marketing for this album has been rich.
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Feb 7, 2026
The concept behind this album, featuring early works for keyboard by Johann Sebastian Bach, is to perform his early works within the…
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Feb 4, 2026
This album reminded me of a point to consider as we look at music and what it means to us, out of the context for how it was written.
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Feb 2, 2026
Johann Philipp Kirnberger emerges from Reinhard Goebel’s liner notes as a man of exacting standards—perhaps a difficult personality, but…
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Feb 1, 2026
The concept of this album, which came out in 2023, is to pit one violin against another.
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Feb 1, 2026
I still remember when Tao’s first album, Voyages came out on iTunes. It opens with Monk’s Railroad and it was hyped enough on the digital…
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Jan 31, 2026
I just recently reviewed another album featuring the vocal music of Barbara Strozzi, a composer of quite some talent, who somehow managed…
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Jan 31, 2026
There’s a knee-jerk reaction to the title of this album. Of course William Byrd and John Bull never knew or experienced a concert grand.
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Jan 31, 2026
Today there’s no shortage of recordings of Bach’s viola da gamba sonatas (BWV 1027-1029), however they’re not all performed on the viola da…
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Jan 25, 2026
It was the Goat Rodeo recording with Yo-Yo Ma that turned me onto the high art of Chris Thile, mandolinist, who just last year released his…
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Jan 24, 2026
One of the first things I noticed about this program is its centering on the keys of E major and E minor. The liner notes reveal that the pianist experiences synesthesia—not the first musician to associate musical keys with color.
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Jan 22, 2026
Founded in 2018, UnderStories focuses on exploring the rise of the cello as a solo instrument, and especially the repertoire for two…
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Jan 20, 2026
This curiously named album is born out of polyphonic music from the early baroque, but realized for instruments instead of voices. The musicians here have dedicated themselves to performing in an old tradition, with the viola da gamba as the star.
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Jan 19, 2026
Olivier Spilmont directs this recording of Bach cantatas with Alia Mens, following an earlier release from 2017.
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Jan 19, 2026
I reviewed this album back in December of 2010. I wanted to revisit it, sadly, that Musica Antiqua Roma were a flash in the past.
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Jan 18, 2026
I recently saw that Yo-Yo Ma made an appearance on Colbert’s Late Show, performing the opening prelude to BWV 1007 and also performing Over…
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Jan 18, 2026
Lilian Gordis is a Franco-American harpsichordist who left California at 16 to study with Pierre Hantaï in France.
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Jan 12, 2026
Katharina Bäuml founded her ensemble, Capella de la Torre, featuring winds with continuo, back in 2005 and have become, in my eyes, a kind…
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Jan 11, 2026
I am expecting that Tafelmusik, their choir, and soloists Amanda Forsythe and Thomas Hobbs recorded this album after their late spring…
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Jan 10, 2026
Before auditioning this release, I was not familiar with W.F. Bach’s flute duets; the liner notes provide a good historical perspective…
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Jan 9, 2026
One of the central ideas explored in Steve Reich’s music has been to ask a performer to play with themselves, using tape. If you’ve used a digital sequencer (software, or earlier, when they were stand-alone devices), the idea doesn’t seem that interesting.
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Dec 29, 2025
Likely because of the Christmas theme, I came across this release from November 2022 by Ensemble 1700, directed from the recorder by…
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